“Our life is nothing, but a boat drifts in water, balanced by permanent uncertainties.” 祖母Valerie是真正自由的人…“I don’t want to be accepted by people in power or by people feel oppressed…I want to grow like a wild flower where it belongs.”
水泥腦袋:171.10.206.2
The Uncanny(著火的宅子是最明顯的隱喻)重現(xiàn)所以在克服了自戀后大多數(shù)人都迎來了假想式的放飛來克服焦慮電影里彭于晏在師父、養(yǎng)父和爸爸來回轉恰是姜文迷戀、懷疑和推翻父權的境況投射“北京”在大銀幕再度登場苏贵元作為“北京”之子的姜文飛上了屋頂姿態(tài)明顯而通過復仇引出的三人之結構又意指中國之問題根源并不在于日本人或美國人而在于內(nèi)部的反復爭斗比起創(chuàng)作者厭倦并破除父權神話的意圖我覺得這才是電影最大的政治觀感極佳惡趣味亦可接受整部電影都是大的提喻重構了關于彼時的時空感
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