3.75/5 The second instalment in the trilogy sees Hulot traversing between the rustic old neighbourhoods and a futuristic landscape marked by ultra-modern houses, automobiles and modern household gadgets. Tati, through his brilliant cinematography, lampoons the histrionics and madness brought by consumer capitalism and laments the disappearance of
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Jack the Ripper 一案告破之際翻出了這部電影為這個歷史懸案提出了一個有意思的解釋不過電影素質其實不高CHINESE男同志MOVIES沒有什么懸疑與偵破經(jīng)過倘若沒有德普、哥特霧都、開膛手杰克和共濟會這些讓人興趣倍增的噱頭就太過平庸了
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