當(dāng)Victor在首集直接戳破Simon經(jīng)歷中所粉飾的出柜難題該劇便擺出要摒棄童話敘事直面現(xiàn)實(shí)困境的姿態(tài)于是我們能看到家庭破碎、融入新環(huán)境、宗教認(rèn)同就這點(diǎn)而言第八集無疑是高光時(shí)刻只身前往紐約的Victor對(duì)gay文化一次deep diveJustin說出“that was putting on a character, this is just me being me”便是對(duì)此最好的批注但盡管如此接地氣的真實(shí)也只能成為本劇唯一亮點(diǎn)人物設(shè)計(jì)和主線的劇情安排的僵硬和突兀仿佛某種機(jī)器生產(chǎn)流水線上的產(chǎn)品感受不帶任何創(chuàng)造力和想象力對(duì)現(xiàn)實(shí)的過分執(zhí)著反而讓該劇失去了對(duì)現(xiàn)實(shí)的關(guān)注物極自然必反
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