乍一看是loser執(zhí)政官蜜桃传媒的心路歷程實(shí)際的主角卻是南美大地大時(shí)代的錚錚回響濃縮在最細(xì)膩的瞬間馬特爾把殖民者的愚昧貪婪用一種文學(xué)性的語言表達(dá)得淋漓盡致充分詮釋了她對(duì)less is more的個(gè)體解讀實(shí)乃神人這片土地的神性與壯美不是外人能夠輕易領(lǐng)會(huì)和侵犯的也是為什么該片在剪輯中一直阻止觀眾對(duì)其產(chǎn)生任何邏輯性的理解值得一看再看
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Matt had said at one point, “I just want my characters to be a little more happy than they were in the beginning,” and I think that’s pretty much true. http://artsbeat.blogs.nytimes.com/2015/05/18/mad-men-finale-jon
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