前17分鐘 Produced for French television’s CINEASTES DE NOTRE TEMPS series, this revealing self-portrait from Chantal Akerman unfolds in two parts. First, Akerman, in her apartment, offers a deeply personal, sometimes funny, always thoughtful account of the problems she encountered making her films. Part two lets Akerman’s films speak for her, weaving
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在美國(guó)的政治平臺(tái)之上白人+男性+金錢幾乎是戰(zhàn)無(wú)不勝的黃金組合女性和少數(shù)族裔的身份使得傳統(tǒng)的競(jìng)選道路尤其局限但是在民粹主義擴(kuò)張和女性主義回潮的大背景之下這一點(diǎn)似乎在改變這部紀(jì)錄片中的四位女性就是典型AOC尤為戲劇性這一切背后的支持來(lái)自草根組織justice democrats and brand new congress對(duì)這個(gè)組織紀(jì)錄片的挖掘不夠深入目光更多地集中在四位參選人笔仙惊魂尤其是AOC之上
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