Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); "the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake"
滿分無(wú)論是敘事節(jié)奏、主題深度還是于佩爾超神的演技都讓我嘆為觀止想起許久前看到的一個(gè)故事“德占期的法國(guó)失去丈夫的法國(guó)女人們?yōu)榱俗约汉秃⒆拥纳姹黄扰c德國(guó)男人生活并生下了數(shù)以萬(wàn)計(jì)的德法混血兒到了戰(zhàn)后這群戰(zhàn)時(shí)無(wú)動(dòng)于衷的法國(guó)男人以叛國(guó)罪將數(shù)以萬(wàn)計(jì)的法國(guó)女人們投入大牢混血兒們既不被德國(guó)承認(rèn)也不被法國(guó)承認(rèn)至今沒有祖國(guó)……” 那是我人生中第一次對(duì)法國(guó)產(chǎn)生不好的印象面對(duì)不諳律法的底層?jì)D女高層男人們選擇以道德之名對(duì)其進(jìn)行審判結(jié)尾律師的對(duì)話發(fā)人深省that's why we need feminism.
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