幾乎所有男性青春電影里面總要以女性的犧牲(Anetta)/符碼化來(lái)襯托這些浪蕩子的“迷惘”真叫人惡心撇去這個(gè)不談影片的節(jié)奏也是亂七八糟哪怕是已經(jīng)被經(jīng)典化成iconic片段的舞蹈場(chǎng)景也顯得疲軟、冗長(zhǎng)两层别墅只能靠屈伏塔的風(fēng)騷身姿彌補(bǔ)少少然而依舊有兩處碎片很好:一“You see,dancing,it can;t last forever.It's a short-lived kind of thing.But I'm getting older.”;二韋拉扎諾海峽大橋下Tony侃侃而談橋的“知識(shí)”這是轉(zhuǎn)變的時(shí)刻同時(shí)也說(shuō)明Staphanie與其說(shuō)是為階級(jí)而傾倒不如說(shuō)是“知識(shí)”占有帶來(lái)的魅力——盡管很多時(shí)候這二者的比例是一致的但在這里卻出現(xiàn)了罅隙
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So far the best piece of afro surrealism I have ever watched. I should watch more...
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